The Samurau and the Prisoner

Words mightier than sword in loquasious ‘Samurai’ The most intriguing aspect of “The Samurai and the Prisoner,” Kiyoshi Kurosawa’s first foray into the Japanese tradition of jidaigeki, is the J-horror maven’s celebration of non-violence through violence. I know, not at all what you’d expect from a somewhat factual 16th-century samurai tale whose DNA includes […]
I Want Your Sex (2026)

Sorry Gregg Araki, I don’t want your ‘Sex’ Outrageous for the sake of outrageousness, Gregg Araki’s Sundance darling, “I Want Your Sex,” is an empty vessel masquerading as a satirical slap on the untouched tushes of celibate Zoomers. It’s equally a crude, vulgar homage to Billy Wilder’s classic “Sunset Boulevard,” in which a naive […]
Motor City (2025)

‘Motor City’ sounds off without uttering a peep We’ve all heard the idiom put up or shut up. And in the case of “Motor City,” the nearly talk-free neo-noir from director Potsy Ponceroli, the ill-fated characters all do the latter. But will audiences put up with the shut up? The answer will surely determine […]
Bad Counselors (2026)

‘Bad Counselors’ flirts with the divine The summer camp shenanigans in “Bad Counselors” are not without sin, which is somewhat surprising given its faith-based origins. And Chris Dowling’s film is all the better for it. Yes, it’s preachy in places, but by going secular, its themes of atonement, redemption and self-respect go down so […]
Our Hero, Balthazar (2025)

‘Balthazar’ draws a bead on American gun culture One can legitimately argue that there are two types of people: heroes and victims. And which one you choose to be indicates a lot about how you perceive the world and how it reflects you. It’s all part and parcel of a dichotomous symbiosis in which […]
Horsegirls (2026)

You’ll want to saddle up for ‘Horsegirls’ Cancer and autism are challenges I know a lot about because I continue to live with them both, which – I suppose – offers me a unique perspective on the profound, utterly charming “Horsegirls.” It’s not just an accomplished writing-directing debut by Lauren Meyering; it’s also a […]
The Kidnapping of Arabella (2026)

‘Kidnapping of Arabella’ can’t justify the ransom The abduction of a child, no matter if it’s done purposely or, in this case, accidentally, is hardly fodder for hilarity. But writer-director Carolina Cavalli obviously didn’t get the memo before concocting the gratingly off-key “The Kidnapping of Arabella,” a farce of a farce that’s more annoying […]
Night Nurse (2026)

‘Night Nurse’ is direly lacking life support The supposed erotic thriller, “Night Nurse,” is not so much a movie as it is an OnlyFans fantasy involving a twenty-something nurse attempting to boff her septuagenarian patient while the pair conduct a phone scam designed to bilk seniors out of their life savings. Such a turn-on! […]
Gail Daughtry and the Celebrity Sex Pass (2026)

If ever a wiz there was, it is ‘Sex Pass’ Imagine a motion picture in which mad men Jon Hamm and John Slattery find themselves reunited in a land of Oz, where a plucky young lady from Kansas is assisted by three neurotic losers in her quest to get under the covers with the […]
Reading Lolita in Tehran (2024)

‘Reading Lolita in Tehran’ takes Sharia rule to task The film adaptation of Azar Nafizi’s memoir, “Reading Lolita in Tehran,” unfolds in fits and starts, not unlike Trump’s off-and-on war with Iran. One minute it’s a hot mess and the next, a puttering exchange of empty words and unfulfilled promises. Its salvation is […]