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Author: Al Alexander

I began as a film critic for The Patriot Ledger in suburban Boston in 1988, and became the senior film critic there in 2001. My reviews also appeared in newspapers associated with the nationwide Gannett chain. I' was recently granted membership to the prestigious Southeastern Film Critics Association and I've been a member of the North Carolina Film Critics Association since 2014. I have twice been honored by The New England Associated Press News Executives Association for outstanding feature writing. I transplanted from Boston to Raleigh in 2013 but remained on staff at the Ledger until 2023. I'm now starting out on my own in hopes of drawing attention to autism and putting it in a positive light. I was diagnosed as being on the autism spectrum in 2020, and it has given me a whole new perspective on life, as well in how I analyze movies.

A Nice Indian Boy (2025)

Be prepared to fall in love with “A Nice Indian Boy.”

Sacramento (2025)

Directionless ‘Sacramento’ is hardly a capital idea.

That They May Face the Rising Sun

Moving “That They May Face the Rising Sun” will get your Irish up.

The Uninvited (2025)

“The Uninvited” is one Hollywood party you’ll want to skip.

One to One: John & Yoko (2025)

The good karma is instant in riveting “John & Yoko.”

Eric LaRue (2025)

“Eric LaRue” misses the mark in mining satire from tragedy.

The Luckiest Man in America (2025)

“Luckiest Man” charms but can’t reach the bonus round.

Freaky Tales (2025)

It has its charms, but “Freaky Tales” is mostly a mixed bag.

William Tell (2025)

‘William Tell’ falls short of hitting the bull’s-eye.

Bob Trevino Likes It (2025)

You won’t like “Bob Trevino”; you’ll absolutely love it.

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