I.S.S. (2023)
‘I.S.S.’ has its own version of ‘Star Wars’ As she proved with the exceptional “Blackfish,” director Gabriela Cowperthwaite is keenly aware that no good can come from trapping rampaging mammals in confined spaces. It’s an insight that serves her well again with “I.S.S.,” a Cold War revival tale pitting sneaky Ruskies against noble Americans aboard […]
How to Have Sex (2023)
Haziness of consent at the heart of ‘Sex’ “How to Have Sex” rides into town on a tsunami of hype generated by last year’s Cannes Film Festival, where it captured the Un Certain Regard for its highly original take on the minefield that is teenage sexuality. And much of the puffery surrounding Molly Manning Walker’s […]
Society of the Snow (2023)
‘Society of Snow’ will leave you hungry and cold I’ve never been a fan of writer-director J.A. Bayona (“The Impossible,” “A Monster Calls”), and “Society of the Snow,” his dull, belabored tale of survival of the fittest does nothing to alter that opinion. If you were alive in the late autumn of 1972, you’ll likely […]
Monster (2023)
Kore-eda offers kinder, gentler ‘Monster’ Hirokazu Kore-eda has arguably been Japan’s most successful filmmaker of the new millennium, scoring high praise and solid box office for such gems as “Shoplifters,” “After the Storm” and last year’s “Broker.” Thankfully, there is no letting up, as evidenced by his latest (now in theaters), which borrows structurally from […]
Memory (2023)
Fatally flawed ‘Memory’ forgets to be good “Memory” is about how some things are best not remembered – like “Memory.” Instantly forgettable, writer-director Michel Franco’s examination of two troubled souls – one an alcoholic, the other a victim of early-onset dementia – is the football equivalent of piling on. It’s not enough that Jessica Chastain’s […]
The Promised Land (2023)
‘Promised Land’ yields a bountiful crop For an abject lesson in being careful what you wish for, Nikolaj Arcel’s “The Promised Land” is tough to beat. Among the contenders on this year’s coveted Oscar shortlist for films in another language, the movie cleverly transplants the American Western to 18th century Denmark, where a personification of […]
Origin (2023)
‘Origin’ casts caste as the root of all evil After stumbling with the disastrous “A Wrinkle in Time,” Ava DuVernay recovers nicely with her thought-provoking “Origin,” an ambitious adaptation of Isabel Wilkerson’s controversial dissertation, “Caste: The Origins of Our Discontent.” It sounds dry and academical, I know. But in reality, “Origin” is brimming with insight […]
The Teachers’ Lounge (2023)
‘Teachers’ Lounge’ Is an education in tyranny In “The Teachers’ Lounge,” fascism emerges alive and well in, of all places, a German elementary school. That’s where Teutonic writer-director Ilker Catak takes to task his nation’s troubling shift toward the far right by employing a class of sixth-graders and their novice teacher as a microcosm for […]
Ferrari (2023)
Souped-up ‘Ferrari’ remains stuck in first gear Director Michael Mann’s biopic, “Ferrari,” is much like the Dancing Horse’s recent endeavors in Formula 1: looks gorgeous, exhibits loads of potential but rarely capitalizes when it counts most. Blunders abound and fans of both the brand and its founder, Enzo Ferrari, can’t help wondering what the heck […]
All of Us Strangers (2023)
Eerie ‘Strangers’ is best kind of ghost story Who hasn’t fantasized about traveling back in time to engage in an adult conversation with our parents’ younger incarnations? I’m sure that’s particularly true for folks who’ve lost moms and dads at an early age, like Adam, the protagonist in Andrew Haigh’s shattering “All of Us Strangers.” […]